Exodus
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 Exodus:
Aktéři promluvili – rozchod EXODUS se zpěvákem zjevně neproběhl
přátelsky… - Aktéři aktuálního personálního rozkolu v EXODUS o něm poprvé promluvili. Slova zp... - spark |
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DUKES:
Zetro out, Dukes in – EXODUS podruhé vstupují do stejné řeky - Personální šok u EXODUS. Kapela se rozešla se zpěvákem Stevem „Zetrem“ Souzou, ... - spark |
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 Exodus:
Legendární EXODUS pracují na nové desce - Fanoušci řízného thrash metalu mají důvod jásat. Legendární EXODUS se totiž chy... - spark |
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Dave:
Dave Lombardo na druhém albu projektu VENAMORIS předělal SCORPIONS - Dave Lombardo (ex-SLAYER, SUICIDAL TENDENCIES) po dvou letech vydá druhé album svého m... - spark |
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 Ac/dc:
EXODUS hrají AC/DC - Thrasheři EXODUS sice pracují na nástupci alba „Persona Non Grata“ (2021), ke své... - spark |
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Brutal Assault:
FOTO: Svátek pogování, poodhalená ňadra i skvělý metal. Takový byl
Brutal Assault - Do kulis historické pevnosti v Josefově se po roce vrátili fanoušci tvrdé hudby. Ha... - novinky.cz |
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Exodus:
Koncert legendy Exodus bol skutoÄnou oslavou thrash metalu! - Boli Äasy, kedy by ste pri nápade ÃsÅ¥ na koncert do klubu uprostred leta iba ... - bleskovky.sk |
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Deicide:
Metalová vášeň v pevných zdech. Začal Brutal Assault - Festival Brutal Assault, svátek extrémních metalových žánrů, ozdobily ve středu k... - novinky.cz |
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Exodus:
Koncert legendy Exodus bol skutočnou oslavou thrash metalu! - Boli časy, kedy by ste pri nápade ísť na koncert do klubu uprostred leta iba neveriac... - zoznam.sk |
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Exodus:
Thrash metalová víchrica Exodus už v sobotu vymetie MMC! - Keby sa povestná thrash metalová Big Four rozrástla na Big Five, Exodus by tam určite... - zoznam.sk |
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Exodus - Corrupton Exodus - Corrupton | 
tlač |
edituj | | Rok vzniku: 1989
Pesničku videlo 675 návštevníkov.
Kvalita tabov : bez hodnotenia
Hodnotilo ľudí: 0 ohodnoť aj ty | |
Autor hudby: Exodus | Fig. 1
|----------------------------------
|----------------------------------
|----------------------------------
|----------------------------------
|----------------------------------
|--0---0-0---0-0---0-0---0-0---0---
Fig. 2
|------------------------------------------------------------------
|------------------------------------------------------------------
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|--------------------------------------------------------------5---
|--5-----7--/8---------------------------------------------5---3---
|--3---0-5--/6-0---0-0---0-0---0---0---0-0---0-0---0-0---0-3-------
|---------------------------------|---------------------------------
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|--3------------------------------|---------------------------------
|--1------------------------------|---------------------------------
|------0-0---0-0---0-0---0-0---0--|-0---0-0---0-0---0-0---0-0---0---
[last ending]
|------------------------------------
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|------------------------------------
|--------------------------------0---
|--------------------5-----3-----0---
|--0---0-0---0-0-----3-----1---------
Fig. 3
|------------------------------------------------------------------
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|------------------------------5---3-------------------------------
|--5-----7--/8-------------5---3---1-------------------------------
|--3---0-5--/6-0---0-0---0-3-----------0-0---0-0---0-0---0-0---0---
|------------------------------------------------------------------
|------------------------------------------------------------------
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|------------------------------5---3-----------------------------0-
|--5-----7--/8-------------5---3---1-----------------5-----3-----0-
|--3---0-5--/6-0---0-0---0-3-----------0-0---0-0-----3-----1-------
Fig. 4
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|--------3-----3-----------------|-------3-----5-----------------
|----3---2-----1-----------------|---3---1-----3-----------------
|--0h1-------0---------0---0---0-|-0h1-------0---------0---0---0-
[ending]
|----------------------------------
|----------------------------------
|----------------------------------
|--------3-----3-------3---3---3---
|----3---2-----1-------2---1---2---
|--0h1-------0---------------------
Fig. 5
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|--5---------------------------------------------------------------
|--3-----3-----2---------------------------------------------------
|------0-1-----0-------0---0---0---0---0-0---0-0---0-0---0-0---0---
|------------------------------------------------------------------
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|--5-------------------------------------------------------3-------
|--3-----3-----2-------------------------------------------1-------
|------0-1-----0-------0---0---0---0---0-0---0-0---0-0---0---------
[final ending]
|------------------------------------------------------------------
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|--5---------------------------2---3-----5-----3---2---------------
|--3-----3-----2-------3---5---0---1-----3-----1---0-----5-----3---
|------0-1-----0-------1---3-----------------------------3-----1---
Fig. 6
|------------------------------------------------------------------
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|--7-----7--/8-5-------------------8-----8--10-7-------------------
|--5-----5--/6-3---0-0---0-0---0---6-----6--/8-5---0-0---0-0---0---
|------------------------------------------------------------------
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|--5-----5--/7---------------------7-----7-----9-----9-----9---9---
|--3-----3--/5-5-----5-----5---5---5-----5-----7-----7-----7---7---
|--------------6---6-6---6-6---6-----------------------------------
Fig. 7
|------------------------------------------------------------------
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|--7-----7--/8-5-----5-----5---5---8-----8--10-7-----7-----7---7---
|--5-----5--/6-3---3-3---3-3---3---6-----6--/8-5---5-5---5-5---5---
|------------------------------------------------------------------
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|--5-----5--/7---------------------7-----7-----9-----9-----9---9---
|--3-----3--/5-5-----5-----5---5---5-----5-----7-----7-----7---7---
|--------------6---6-6---6-6---6-----------------------------------
|------------------------------------------------------------------
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|--7-----7--/8-5-------------------8-----8--10-7-------------------
|--5-----5--/6-3---0-0---0-0---0---6-----6--/8-5---0-0---0-0---0---
|------------------------------------------------------------------
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|--5-----5--/7---------------------7-----7-----9-------7---9-------
|--3-----3--/5-5-----5-----5---5---5-----5-----7-------5---7-------
|--------------6---6-6---6-6---6-------------------------------0-0-
Fig. 8
|------------------------------------------------------------------
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|--0---------------------------0-0-0---0-0---0-0---0-0---0-0---0---
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|--2---------------------------5-7-7-----7--|---5-7-7---7---3---5---
|--0---------------------------3/5-6-----5--|-0-3/5-6---5---1---3---
Fig. 9
[solo rhythm 1]
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|--2-----2-----5---5-----5-----2---2-----2-----3-----3-----2---2---
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|----------------------------------------------------3-------------
|--2-----2-----5---5-----5-----2---2-----2-----3-----1-----2---2---
|--0---0-0-----3---4-----3---0-0---0---0-0-----1-----------0---0---
Fig. 10
[solo rhythm 2]
|------------------------------------------------------------------
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|--4-----4-----4---5-----4-----5---2-----2-----4-----5-----4---2---
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|--4-----4-----4---5-----4-----5---2-----2-----3-----3-----4---3---
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Fig. 11
[gtr. 1]
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|-------------/5-----------5---5-7-7-----7-----5-7-7---7---3---5---
|--0---0-0---------------------3/5-6-----5-----3/5-6---5---1---3---
[gtr. 2]
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