Exodus
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 Exodus:
EXODUS větrají archivy a vydají 35 let starý živák - Thrasheři EXODUS i kvůli angažmá svého kapelníka Garyho Holta v posledních letech ... - spark |
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 Exodus:
Rick Hunolt (ex-EXODUS, DIEHUMANE): „Jsem rád, že si ještě můžu
zahrát.“ - Bývalý kytarista EXODUS Rick Hunolt je pro thrashery ikonou. Nový projekt DIEHUMANE ho... - spark |
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EVIL INVADERS:
MEGADETH 17. 8. 2023, Enteria Arena, Pardubice - Thrashový oheň stále jasně plane Thrash metal chytá druhý dech. Ale vedle silných ... - rockandpop.cz |
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 Exodus:
EXODUS v Ostravě nevystoupí, ruší celé letní turné po Evropě - Američtí thrasheři ruší celé naplánované letní turné kvůli rodinným důvodům... - spark |
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 Exodus:
Bývalý kytarista EXODUS konečně prezentuje nový projekt DIEHUMANE - Už nějakou dobu diskutovaný projekt DIEHUMANE se konečně prezentuje taky muzikou, ko... - spark |
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Exodus:
Bubeník EXODUS Tom Hunting zpívá funky covery - Tom Hunting se představuje v roli, v jaké ho zná málokdo.
... - spark |
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Exodus:
Trochu jiný poslech aneb 5 alb uplynulého týdne, která vám nesmí ujít - Další pondělí, další pětice alb, která stojí za vaší pozornost!
Trochu jiný ... - spark |
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Exodus:
Masters of Rock 2022 vyvrcholil vystoupením NIGHTWISH - Závěrečný den Masters of Rock 2022 patřil thrashovým veteránům TESTAMENT a EXODUS... - spark |
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Exodus:
HATRIOT – Klan Souzů počtvrté zasahuje - HATRIOT vznikli před dvanácti lety jako rodinný projekt Souzových, a i když taťka Z... - spark |
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Death Angel:
Unikátní koncert, který nemá headlinera. Fantastická thrashmetalová pětka
míří do Bratislavy - Do Bratislavy míří ultimátní sestava a sen každého true thrashmetalisty: TESTAMENT... - spark |
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Exodus - Corrupton Exodus - Corrupton |
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Autor hudby: Exodus | Fig. 1
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|--0---0-0---0-0---0-0---0-0---0---
Fig. 2
|------------------------------------------------------------------
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|--------------------------------------------------------------5---
|--5-----7--/8---------------------------------------------5---3---
|--3---0-5--/6-0---0-0---0-0---0---0---0-0---0-0---0-0---0-3-------
|---------------------------------|---------------------------------
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|------0-0---0-0---0-0---0-0---0--|-0---0-0---0-0---0-0---0-0---0---
[last ending]
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|--------------------------------0---
|--------------------5-----3-----0---
|--0---0-0---0-0-----3-----1---------
Fig. 3
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|--5-----7--/8-------------5---3---1-------------------------------
|--3---0-5--/6-0---0-0---0-3-----------0-0---0-0---0-0---0-0---0---
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|--5-----7--/8-------------5---3---1-----------------5-----3-----0-
|--3---0-5--/6-0---0-0---0-3-----------0-0---0-0-----3-----1-------
Fig. 4
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|--------3-----3-----------------|-------3-----5-----------------
|----3---2-----1-----------------|---3---1-----3-----------------
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[ending]
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|----3---2-----1-------2---1---2---
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Fig. 5
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|------0-1-----0-------0---0---0---0---0-0---0-0---0-0---0---------
[final ending]
|------------------------------------------------------------------
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|--5---------------------------2---3-----5-----3---2---------------
|--3-----3-----2-------3---5---0---1-----3-----1---0-----5-----3---
|------0-1-----0-------1---3-----------------------------3-----1---
Fig. 6
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|--7-----7--/8-5-------------------8-----8--10-7-------------------
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|--5-----5--/7---------------------7-----7-----9-----9-----9---9---
|--3-----3--/5-5-----5-----5---5---5-----5-----7-----7-----7---7---
|--------------6---6-6---6-6---6-----------------------------------
Fig. 7
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|--7-----7--/8-5-----5-----5---5---8-----8--10-7-----7-----7---7---
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|------------------------------------------------------------------
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|--5-----5--/7---------------------7-----7-----9-----9-----9---9---
|--3-----3--/5-5-----5-----5---5---5-----5-----7-----7-----7---7---
|--------------6---6-6---6-6---6-----------------------------------
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|--7-----7--/8-5-------------------8-----8--10-7-------------------
|--5-----5--/6-3---0-0---0-0---0---6-----6--/8-5---0-0---0-0---0---
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|--5-----5--/7---------------------7-----7-----9-------7---9-------
|--3-----3--/5-5-----5-----5---5---5-----5-----7-------5---7-------
|--------------6---6-6---6-6---6-------------------------------0-0-
Fig. 8
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Fig. 9
[solo rhythm 1]
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|--2-----2-----5---5-----5-----2---2-----2-----3-----1-----2---2---
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Fig. 10
[solo rhythm 2]
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Fig. 11
[gtr. 1]
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|-------------/5-----------5---5-7-7-----7-----5-7-7---7---3---5---
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[gtr. 2]
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