RADIO FREE EUROPE



For the "Raving station/Straight off the boat" part:



e ----0--0--0-0--0--0-0--0--0-0--0--0-0-0-0-0---

B -----0--0----0--0----0--0----0--0--0-0-0-0-0--

G ---3--3--3-3--3--3-2--2--2-2--2--2------------



        For the "Beside yourself.." part:



e --0--0--0-0--0--0------4--------

B ---4--4----4--4---5-5-5-5-5-----

G -4--4--4-4--4--4-6-6-6---6-6----



(play 2x)



A                             D   E

Beside yourself if radio's gonna stay.

A                          D   E

Reason: it could polish up the grey.

A                               D     E

Put that, put that, put that up your wall

A                       D   E

That this isn't country at all



F#    A      (EEAE)    F#    A         B

Raving station,       beside yourself



{same as verse above}

Keep me out of country in the word

Deal the porch is leading us absurd.

Push that, push that, push that to the hull

That this isn't nothing at all.



Straight off the boat, where to go?



E           A          E              A

Calling on in transit, calling on in transit

E     A                E       A

Radio Free Europe



Beside defying media too fast

Instead of pushing palaces to fall

Put that, put that, put that before all

That this isn't fortunate at all



Raving station, beside yourself

Calling on in transit, calling on in transit

Radio Free Europe, radio.



Bsus4   C#                  Bsus4            C#

Decide yourself, calling all of the medias too fast



Keep me out of country in the word

Disappoint is into us absurd



Straight off the boat, where to go?

Calling on in transit, calling on in transit

Radio Free Europe



----



From: Carlos Yuzo Shine (c_shine@mailexcite.com)



RADIO FREE EUROPE



"A": x02xxx

 D : xx0232

"E": 02(2)xxx

 e : xx2100



 e -------------------------2-------------0-------------

 B -------------------------3-------------0-------------

 G -------------------------2-------------1-------------

 D -2-2-2-2-2-2-2-2-2-2-2-2-0-------------2-------------

 A -0-0-0-0-0-0-0-0-0-0-0-0---2-2-2-2-2-2-------0-0-2---

 E ---------------------------0-0-0-0-0-0---4-4-------0-

    "A"                    "D" "E"        e

    Beside yourself if radio's gonna stay, etc.



---------------------------------------------------------------------------



PILGRIMAGE



{piano intro is something like this:}

(D) ---3-------------------

(A) -----3------3----------

(E) --------3-------------- .... repeat then go on to verses...



Take a turn, take a turn

Take our fortune, take our fortune



(G)  -------0---------0------------------

(D)  ----3---------3----------0-------0--

(A)  --1--------1-----------3-------3----

(E)  ---------------------1-------1------   ... repeat several times



They called the clip a two-headed cow

Your hate clipped and distant, your luck, pilgrimage

Rest assured this will not last, take a turn for the worst

Your hate clipped and distant, your luck a two-headed cow



CCC    F         G

   The pilgrimage has gained momentum

F      G

Take a turn, take a turn

F        G        F        G

Take our fortune, take our fortune

Pilgrimage



{the little break is....}

C / / /  C(Bbass) / / /  Bb / / / G {of course repeated some}



Speakin' in tongues, it's worth a broken lip

Your hate clipped and distant, your luck, pilgrimage

Rest assured this will not last, take a turn for the worst

Your hate clipped and distant, your luck a two-headed cow

The pilgrimage has gained momentum

Take a turn, take a turn

Take our fortune, take our fortune



Pilgrimage.  Pilgrimage.



Speakin' in tongues, it's worth a broken lip

Your hate clipped and distant, your luck

Rest assured this will not last, take a turn for the worst

Your hate clipped and distant, your luck two-headed

The pilgrimage has gained momentum

Take a turn, take a turn

Take our fortune, take our fortune



Pilgrimage.  Pilgrimage.

The pilgrimage has gained momentum

Take a turn, take a turn

Take our fortune, take our fortune

Take a turn, take a turn

Take our fortune, take our fortune



---------------------------------------------------------------------------



LAUGHING



C#m                 E

Laocoon and her two sons

C#m                       E

Pressured storm, tried to move

C#m                    E

No other more, emotion bound

C#m          E

Martyred, misconstrued



A    E    C#m  A    E  C#m  C#m B   E Esus E

Ligh-ted       in a room    la--nky room

F#m   G#m F#m   G#m F#m G#m Esus E       A E

Ligh--ted ligh--ted laughing     in tune

Lighted lighted laughing



Laocoon and her two sons

Run the gamut, sated view

Know them more, emotion bound

Martyred, misconstrued



A    E    C#m  A    E  C#m  C#m B   E Esus E

Ligh-ted       in a room    la--nky room

F#m   G#m F#m   G#m F#m G#m Esus E       A E

Ligh--ted ligh--ted laughing     in tune

Lighted lighted laughing



G#m  E      E----4-5-7-5-4-----

In a room   B--5-----------5-9-

         C#m            E      E----4-5-7-5-4---

lock the door latch the room   B--5-----------5-

Lighted, lighted, laughing



Laocoon and her two sons

Ran the gamut, settled new,

Find a place fit to laugh,

Lock the doors, latch the room

Lighted in a room, lanky room

Lighted, lighted, laughing in tune

Lighted, lighted, laughing in tune

Lighted, lighted, laughing in tunes

Lighted, lighted, laughing in tunes



Note:  the F#m and G#m are arpeggiated barre forms

with high B and E strings open (i.e. XX4200 and XX6400)



---------------------------------------------------------------------------



TALK ABOUT THE PASSION



Original tab by:  ?

Corrections by:  George Belkin  (gxb101@psu.edu)

   and Michael Cummings (gt3677a@prism.gatech.edu)



{Main riff:}

E------------------------------------------------------

B-----------------------------3-------------3-2-0------

G-2-2-------2-2-------------0---0---------2--------2---   (repeat)

D-0-0-0-2-4-0-0-0-2-4-0---2-------2-----2--------------

A-----------------------3-----------3-0----------------

E------------------------------------------------------



{Verse riff #1:}

E-0-0-0-0-0-0--0-0-0-0-0-0---3-3-3-2-0-0-0-0---------------------------

B-2-2-0-2-2-0--2-2-0-2-2-0---0-0-0-0-0-0-3-3---------------------------

G-2-2-2-2-2-2--2-2-2-2-2-2---0-0-0-0-0-0-0-0---------------------------

D-2-2-2-2-2-2--2-2-2-2-2-2---2-2-2-2-2-2-2-2---------------------------

A-0-0-0-0-0-0--0-0-0-0-0-0---2-2-2-2-2-2-2-2---------------------------

E----------------------------0-0-0-0-0-0-0-0---------------------------

This is like A, Asus, and a variation on E-minor



{Verse riff #2:}

E-------0-------------0-------------0-------------0-0-0----------------

B-----3---3---3-----3---3---3-----3---3---3-----3---3-3----------------

G---2-------------0-------------2-------------0-----0-0----------------

D-3---------3---2---------2---3---------3---2-------2-2----------------

A----------------------------------------------------------------------

E----------------------------------------------------------------------



{Bridge riff:}

E-2-2-3-5--2-2-3-5--3-3-3-2-2-2-2-2-------2-0--------------------------

B-3-3-3-3--3-3-3-3--3-3-3-3-3-3-3-3-----3------------------------------

G-2-2-2-2--2-2-2-2--2-2-2-2-2-2-2-2-0-2--------------------------------

D-0-0-0-0--0-0-0-0--0-0-0-0-0-0-0-0------------------------------------

A----------------------------------------------------------------------

E----------------------------------------------------------------------

The fourth verse begins the same way as the other three and fades out

repeating the A / Em stuff.



---



Intro:  {main riff}



{Main riff}

Empty prayer, empty mouths, combien reaction

Empty prayer, empty mouths, talk about the passion

Not everyone can carry the weight of the world

Not everyone can carry the weight of the world



{Verse riff #1}

Talk about the passion

Talk about the passion



{Main riff}

Empty prayer, empty mouths, combien reaction

Empty prayer, empty mouths, talk about the passion

{Verse riff #2:}

Combien, combien, combien de temps?



{Verse riff #1}

Talk about the passion

Talk about the passion



{Bridge riff}



{Main riff}

Not everyone can carry the weight of the world

Not everyone can carry the weight of the world

{Verse riff #2:}

Combien, combien, combien de temps?



{Verse riff #1}

Talk about the passion

Talk about the passion

Talk about the passion

Talk about the passion

Talk about the passion

Talk about the passion



---------------------------------------------------------------------------



MORAL KIOSK



From: Winston Campbell

Corrections by:  George Belkin (gxb101@psu.edu)

           and:  Jonathan Blanks  (joblanks@vt.edu)



Intro:  Esus4



D2                   A/C#             E

Scratch the scandals in the twilight

D2              A/C#         E

Trying to shock but instead

D2             A/C#           E

Idle hands all orient to her

D2           A/C#               E

Pass a magic pillow under head



F#m         G#m             E   B

Its so much more attractive

F#m        G#m         E   B

Inside the moral kiosk

Esus4

Inside, cold, dark, fire, twilight

Esus4

Inside, cold, dark, fire, twilight



D2                        A/C#             E

They scratch the scandals in the twilight

D2               A/C#          E

She was laughing like a Horae

D2            A/C#               E

Put that knee in dour landslide

D2                A/C#                E

Take this step to dash a roveing eye



F#m         G#m             E   B

Its so much more attractive

F#m        G#m         E   B

Inside the moral kiosk

Esus4

Inside, cold, dark, fire, twilight

Esus4

Inside, cold, dark, fire, twilight



{Bridge:}   Dsus2   A/C#  B   (x 2)



D2                   A/C#             E

Scratch the scandals in the twilight

D2              A/C#         E

Trying to shock but instead

D2             A/C#           E

Idle hands all orient to her

D2           A/C#               E

Pass a magic pillow under head



F#m         G#m             E   B

Its so much more attractive

F#m        G#m         E   B

Inside the moral kiosk

Esus4

Inside, cold, dark, fire, twilight

Esus4

Inside, cold, dark, fire, twilight



(The interlude is a play on the G chord)



Esus4

Inside, cold, dark, fire, twilight

Esus4

Inside, cold, dark, fire, twilight



{The riff played over the E chord after every line in the verse is:



E ---------

B ---------

G -3h4p3---

D -------6-

A ---------

E ---------     }



---------------------------------------------------------------------------



PERFECT CIRCLE



{its helpful to play the piano notes by streching your pinky

 along the high E-string on the D and G chords}



F  F/G        D        F   F/G    G

   Put your hair back, we get to leave

 F  F/G        D             G

    Eleven gallows on your sleeve

 F   F/G       D     F F/G     G

    Shallow figure, winner's pain

 F   F/G     D      F          G      F   Dm7

    Eleven shadows way out of place

  C            F              C           Dm

 Standing too soon, shoulders high in the room

  C            F              C           Dm

 Standing too soon, shoulders high in the room

  C            F              C           F

  Standing too soon, shoulders high in the room



{same as before}

Pull your dress on and stay real close

Who might leave you where I left off?

A perfect circle of acquaintances and friends

Drink another, coin a phrase

Heaven assumed, shoulders high in the room

Heaven assumed, shoulders high in the room

Heaven assumed, shoulders high in the room



Try to win and suit your needs

Speak out sometimes but try to win

Standing too soon, shoulders high in the room

Standing too soon, shoulders high in the room

Standing too soon, shoulders high in the room

Standing too soon, shoulders high in the room

Standing too soon, shoulders high in the room



---------------------------------------------------------------------------



CATAPULT



{for the intro, use this configuration of G to mock the bass}



"G"  xx09(10)9

Catapult

    D Dsus2  D      A/Dbass

Catapult

    D Dsus2  D      A/Dbass

Catapult

    D Dsus2  D      A/Dbass

Catapult



G    Em             D

Oohhh, we were little boys

G    Em             D     Asus4

Oohhh, we were little girls

     G                  Em              D

It's nine o'clock, don't try to turn it off

G            Em    D           Asus4

Cowered in a hole, ugly mouth



We in step, in hand, your mother remembers this.



Hear the howl of the road, a question:

F   C       D          F   C       D

Did we miss anything?  Did we miss anything?

F   C       D          F   C       D           A

Did we miss anything?  Did we miss anything?

    D Dsus2  D      A/Dbass

Catapult

    D Dsus2  D      A/Dbass

Catapult

    D Dsus2  D      A/Dbass

Catapult

    D Dsus2  D      A/Dbass

Catapult



G5(add E)        D      G5(addE)   D   A

Porch could be darker.

G5(add E)       D      G5(addE)   D   A

Much could be darker.

    D Dsus2  D      A/Dbass

Catapult

    D Dsus2  D      A/Dbass

Catapult

    D Dsus2  D      A/Dbass

Catapult

    D Dsus2  D      A/Dbass

Catapult



G    Em             D

Oohhh, we were little boys

G    Em             D     Asus4

Oohhh, we were little girls

     G                  Em              D

It's nine o'clock, don't try to turn it off

G            Em    D           Asus4

Cowered in a hole, ugly mouth



We in step, in hand, your mother remembers this.



Hear the howl of the road, a question:

F   C       D          F   C       D

Did we miss anything?  Did we miss anything?

F   C       D          F   C       D           A

Did we miss anything?  Did we miss anything?

    D Dsus2  D      A/Dbass

Catapult

    D Dsus2  D      A/Dbass

Catapult

    D Dsus2  D      A/Dbass

Catapult

    D Dsus2  D      A/Dbass

Catapult



---------------------------------------------------------------------------



SITTING STILL



Transcription by:  Marc van der Geest (marc@football.demon.nl)



Intro/Chorus :



     D  D  U  D  D  U  D  D U U D U  : Up/Down strokes

e:|--0--0--0--0--0--0--0--0-0-0-0-0--|

B:|--0--0--0--0--0--0--0--0-0-0-0-0--|

G:|--6--6-(6)-4--4-(4)-2--2-2-2-2-2--| 3x

D:|--7--7-(7)-6--6-(6)-4--4-4-4-4-4--|

A:|----------------------------------|

E:|----------------------------------|



Verse :



     slight palm-mute

e:|---------------------|-(0)--0---0---0--0---0---0-|

B:|---------------------|-------0---0------0---0----|

G:|---------------------|----2---2---2--2---2---2---|

D:|--2-2-2-2-2----------|---------------------------| repeat

A:|--2-2-2-2-2---etc.---|---------------------------|

E:|--0-0-0-0-0----------|---------------------------|



The 'Up to par...' part :

                                     D D U U D U

e:|--throw in some open e & B -------0-0-0-0-0-0----|

B:|-----strings occasionaly----------0-0-0-0-0-0----|

G:|--8-8-8-***-8-9-9-8---6-6-6-***---2-2-2-2-2-2----|

D:|--9-9-9-***-9-x-x-9---7-7-7-***---4-4-4-4-4-4----|

A:|--9-9-9-***-9-9-9-9---7-7-7-***--(4-4-4-4-4-4)---|

E:|--7-7-7-***-7-7-7-7---5-5-5-***------------------|



*** means: just strum the chord (listen to the record)



Bridge :



e:|-0------0-------(0--0-0-0)--|

B:|-0------0-------(0--0-0-0)--|

G:|-1------2--------9--9-9-9---| 2x

D:|-2------4--------x--x-x-x---|

A:|-2---------------9--9-9-9---|

E:|-0---------------7--7-7-7---|

             I'm not 100% sure about this last chord



Outro :

This is just the chorus played a couple of times with just an E/Esus4/E transition in

between; and at the end of the song: E/Fmin/E. Something like this:

e:|---------|-0-***-0-0-0-***-|---------|-0-***-0-***-0---|

B:|-intro/--|-0-***-0-0-0-***-|-intro/--|-0-***-0-***-0---|

G:|-chorus--|-1-***-2-2-1-***-|-chorus--|-1-***-2-***-1---|

D:|-riff-3x-|-2-***-2-2-2-***-|-riff-3x-|-2-***-4-***-2---|

A:|---------|-2-***-2-2-2-***-|---------|-2-***-4-***-2---|

E:|---------|-0-***-0-0-0-***-|---------|-0-***-------0---|



-----



This name I got we all agreed

See could stop stop it will rid

We could bind it in the cist

We could gather, throw a fit



Up to buy, Katie buys a kitchen-size, but not me in

Setting trap for love, making a waste of time, sitting still



I'm the sign and you can read.

I'm the sign and you're not deaf.

We could bind it in the cist.

We could gather, throw a fit.



Up to buy, Katie buys a kitchen-size, but not me in

Setting trap for love, making a waste of time, sitting still

I can hear you.  I can hear you.  I can hear you.



This name I got we all agree

See could stop stop it will rid

We could bind it in the cist

We could gather, throw a fit.



Up to buy, Katie buys a kitchen-size, but not me in

Setting trap for love, making a waste of time, sitting still



{same as intro}

I can hear you.  I can hear you.  I can hear you.



You can gather when I talk, talk until you're blue

You could get away from me.  Get away from me.



Up to buy, Katie buys a kitchen-size, but not me

Setting trap for love, making a waste of time, sitting still

I can hear you.  I can hear you.  I can hear you.

I can hear you.  I can hear you.  I can hear you.

Can you hear me?



---------------------------------------------------------------------------



9-9  (Last Updated:  8/23/96)



(There are three versions of this song in this file.  First the lyrics.

I'll try to "pretty" it up when I have the time. - Chris)



Lyrics:



Steady repetition is a compulsion mutually reenforced.

Now what does that mean?

Is there a just contradiction?

Nothing much.

Now I lay me down to sleep, I pray the Lord my soul to keep.

If I should die before I wake, I pray the Lord, hesitate.



Got to punch

Right on target

Twisting tongues

Gotta stripe down his back

all nine yards down her back



Give me a couple,

Don't give me a couple of pointers,

Turn to lies and conversation fear



Got to punch

Right on target

Twisting tongues

Gotta stripe down his back

all nine yards down her back



Give me a couple,

Don't give me a couple of pointers,

Turn to lies and conversation fear



What is my mind?

What is my mind?



Steady repetition is a compulsion mutually reenforced.

Now what does that mean?

Is there a just contradiction?

Nothing much.

Now I lay me down to sleep, I pray the Lord my soul to keep.

If I should die before I wake, oh come on, hesitate, hesitate.



Got to punch

Right on target

Twisting tongues

Gotta stripe down his back

all nine yards down her back



Give me a couple,

Don't give me a couple of pointers,

Turn to lies and conversation fear



Conversation fear. Conversation fear. Conversation fear.



------

From: Jonathan Blanks (joblanks@vt.edu)



(in normal tuning)



intro is of course strings and notes, but if you play an A chord it

sounds good. Then after the intro before the song kicks in I think

it is a B or B5. From what I can tell the verse is E then B (orB5) and the

last line of the verse is E and the chorus goes B//A// and there may be a G

in there somewhere but maybe it's just the bass playing a G.



-----

From: domenico suppappola (dxsuppap@fcserv04.psf.ge.com)



I'm not certain about the intro so here's my best shot:



E:-2-3-5-3s2-2 that's the bassline....



e:---0-----0-----0-----0-----

B:-2---2-3---3-5---5-3---3-3-2    that's my best guess at the jangles



Verse:

A two punch.............right on target........

E         Esus4     E       Bm   7th fret harmonics-s-5th fret harmonics



Chorus:

Give me a couple of, don't give me a couple of pointers turn to lies and

B       A        G                 A        B           A            G



Conversation fear.

      A      B      7th fret harmonics-s-5th fret harmonics



----

Version 3  (Added 8/23/96)



From: Steven Doherty (Steven@orion9.demon.co.uk)



Subject: 9-9 by REM



This is 9-9 by REM. I'm not certain about the intro so here's my best

shot:



E:-2-3-5-3s2-2 that's the bassline....



e:---0-----0-----0-----0-----

B:-2---2-3---3-5---5-3---3-3-2    that's my best guess at the jangles



Verse:

A two punch.............right on target........

E         Esus4     E       Bm   7th fret harmonics-s-5th fret harmonics



Chorus:

Give me a couple of, don't give me a couple of pointers turn to lies and

B       A        G                 A        B           A            G



Conversation fear.

      A      B      7th fret harmonics-s-5th fret harmonics



---------------------------------------------------------------------------



SHAKING THROUGH



Intro From: Jeremy Price XD/MH 4880  (etljype@etlxdmx.ericsson.se



  D                                C/D

  1 a & a 2 a & a 3 a & a 4 a & a  1 a & a 2 a & a 3 a & a 4 a & a

e|--------------------------------|--------------------------------|

B|10------------------------------|8-------------------------------|

G|11------------------------------|9-------------------------------|

D|0--(0)--0---0---0---0---0---0---|0--(0)--0---0---0---0---0---0---|

A|--------------------------------|--------------------------------|

E|--------------------------------|--------------------------------|



  D                                C/D

  1 a & a 2 a & a 3 a & a 4 a & a  1 a & a 2 a & a 3 a & a 4 a & a

e|--------------------------------|--------------------------------|

B|7-------------------------------|5-------------------------------|

G|7-------------------------------|5-------------------------------|

D|0--(0)--0---0---0---0---0---0---|0--(0)--0---0---0---0---0---0---|

A|--------------------------------|--------------------------------|

E|--------------------------------|--------------------------------|



{once again, there's a melody line played on the E string with

 the chords, it just alternates between D Dsus2 and Dsus4;

 with the Bm chord, its easier to play a "cheater" chord (no barre)

 then pick out the notes. Or I guess you could play straight chords if

 you're a weenie}



D                Bm               D                   Bm

Could it be that one small voice doesn't count in the world?

Em                   A    Em              A

Yellow like a geisha gown, denial all the way



Could this by three be turned?  Honor marches on.

Em                   A    Em              A

Yellow like a geisha gown, denial all the way



D A     G   (A)  D   A  G   D A     G   (A)  D   A   G

Shaking through, opportune. Shaking through, opportune.



Are we grown way too far?

Taking after rain

Em                   A    Em              A

Yellow like a geisha gown, denial all the way

D A     G   (A)  D   A  G   D A     G   (A)  D   A   G

Shaking through, opportune. Shaking through, opportune.



Em     A         Em     A

In my life



Is that a steal?

Children of today on parade,

Em                   A    Em              A

Yellow like a geisha gown, denial all the way

D A     G   (A)  D   A  G   D A     G   (A)  D   A   G

Shaking through, opportune. Shaking through, opportune.

D A     G   (A)  D   A  G   D A     G   (A)  D   A   G

Shaking through, opportune. Shaking through, opportune.



{At the end, the chorus gets played a key up for a while, so it's

 E     B    A ....    then end on a big 'ol B}



----



From: "Rensink, Brenden BHS" (brensink@bhs3.bham.wednet.edu)



On Shaking through,(murmer)



the line



Em                      A

yellow like a geisha gown



it is actually...



Asus4

 - - - - - - - - - -

 - - 3 - - - - - - - -

 - - 2- - - - - - - -

 - - 2 - - - - - - -

 - - - - - - - - -

 - - - - - - - - - -



Em                                  A           Asus4     A

yellow like a geisha gown



---------------------------------------------------------------------------



WE WALK



Original chords by:  ?

Corrections by:  Jonathan Blanks  (joblanks@vt.edu)



[The song is tuned up 1/4 step]



{intro:  F  Fmaj7  Dm  Dm     F Fmaj7 Dm G}



{On the C to Am stuff, It sounds good to walk the bass note of the C

 chord down to a B before playing Am}



 C             Am             C                Am       C    Am  C    Am

Up the stairs to the landing up the stairs into the hall

 C     Am    C        Am     C  Am      Em

Take oasis, Marat's bathing

 F  Fmaj7 Dm              F  G

We walk through the wood we walk

 C             Am             C               Am         C  Am  C  Am

Up the stairs to the landing up the stairs into the hall

 C     Am    C        Am     C  Am    Em

Take oasis, Marat's bathing

 F  Fmaj7 Dm               F   G

We walk through the woods we walk



  Am    F   Bb  C  Am    F   Bb  C  Am    F    Bb C   Am    F   Bb {slide here}



 Take oasis       take oasis       take oasis        take oasis



 Bb-B-C             Am             C               Am           C  Am   C   Am

     Up the stairs to the landing up the stairs into the hall

 C     Am    C        Am  ......

Take oasis, Marat's bathing



We walk through the world we walk

Up the stairs to the landing, up the stairs into the hall

Take oasis, Marat's bathing

Up the stairs to the landing, up the stairs into the hall

Take oasis, Marat's bathing

Up the stairs to the landing, up the stairs into the hall

Into the hall



---------------------------------------------------------------------------



WEST OF THE FIELDS



Chords by: Trygve Sandven Haaland (trygve@bitcon.no)



Em               D              F   G    F              G

Long gone, intuition to assume are gone when we try.

Em                      D               F        G              F       G

Dream of  a living  jungle in my way back home when we die.



Em

West of the fields. West of the fields. West of the fields. West of the fields.

Em   G     Em   G     Em   G     Em   G     Em

Long gone. Long gone. Long gone. Long gone. West of the fields.



Dreams of Elysian, to assume are gone when we try

Tell now what is dreaming

When we try to listen with your eyes oversimplify



Em  F               Dm     G C Dm   F                   G

The animals, how strange.       Try, try to stick it in.

Em  F               Dm     G C Dm   F                   G

The animals, how strange.       Try, try to stick it in.



Dreams of Elysian, to assume are gone when we try

Tell now what is dreaming when we try.

Listen through your eyes when we die.



West of the fields. West of the fields. West of the fields. West of the fields.

Long gone. Long gone. Long gone. Long gone. West of the fields.